“Best Chair” serves as a tongue-in-cheek response to the collision of the Aesthetic and the Arts and Crafts movement, and the cultural significance of prized, yet often unused, functional furniture in family homes.

This life-size chair, sculpted from plaster, is entirely covered with a mosaic of replica Delftware ceramics, evoking the intricate beauty of a 17th-century Dutch tulipiere vase, sporadically inserted with a collection of hand-carved lime wood tulips.